Automatic Control of Piano Chords
February 21, 2010 by Ryan Edward · Leave a Comment
* This is a guest post by Ron Worthy! If you would like to submit a guest post for consideration of publication to our site, please contact us.
CORRECT PRACTICE IS INDISPENSABLE!
Your success or failure at the keyboard may well hinge on how quickly and accurately you can memorize a new chord. To be really efficient at this you must use your eyes, your ears, and the muscles of your hands. You must learn a chord so that you can recognize and play that chord the next day without hesitation. Let me explain how to practice to gain this three-way control.
VISUAL CONTROL – After playing a chord, take your hands off the keyboard. Then return to the chord remembering visually where the fingers were positioned. Notice particularly the pattern that was formed by the black and white keys and the location of the melody and root notes. (No two chords look exactly alike.)
Repeat this procedure at least four or five times to learn a chord visually. And, as you are playing the chord, say its name OUT LOUD. You must associate the name of the chord with the actual notes you are playing, if the chord symbol is to have any real meaning later on.
TACTILE CONTROL – As you are playing the chord, try to feel it muscularly. Play each note of the chord, one note at a time, so that you use the muscles of the hand. You will develop a muscular memory for chords.
AURAL CONTROL – Listen to the chord. You’ll want to know its sound so you can instantly recognize and use it later on … “by ear“!
About The Author:
Ron Worthy is a Music Educator and Performer. His site offers online piano instruction for all ages. He specializes in Rock, Pop, Blues and Smooth Jazz Piano disciplines. Check Out Ron Worthy’s Website Now.
Am I Playing The Piano Fast Enough?
February 21, 2010 by Ryan Edward · Leave a Comment
This seems to be the principal worry of many piano students. I do not, of course, dispute the fact that it is important to play certain pieces fast. Otherwise one cannot get the desired effects.
Still, it is a bad habit to try to play a new piece fast from the beginning. It only causes serious delays. Faults creep in that are not noticed and then are hard to eradicate. And worst of all, it ruins clearness, that virtue that perhaps more than anything else enables us to tell the artist from the novice.
Dear Students: when you take up the study of a new piece, do not worry about whether or not you are going to be able to play it fast enough. Play it slowly and correctly and let it work itself up. Remember what the great pianist, Harold Bauer, said, “If one catches the spirit of the music, it doesn’t make much difference whether or not it is played a few degrees faster or slower.”
Learning Beginner Piano Basics
February 18, 2010 by Ryan Edward · Leave a Comment
Have you often dreamed of playing the piano, but feel it is a dream out of your reach? I was exactly like you before I stumbled upon some basic piano lessons which totally transformed my view. Not only did I learn to play the piano, but it had a true impact on my life.
Right from my very first lesson, the way I viewed the piano changed. I realized suddenly that the keys on the piano make a pattern and that pattern allows the keys to be separated into sections. When you break the piano down in such a manner it suddenly doesn’t seem so daunting or confusing. I never realized that the keys could be looked at individually rather than as a collective group.
It all started with simple lessons in material I already had before me. I realized that it was quite fun to try out the new ideas presented in each lesson and later on even tested myself to see how much I had improved. I learned to practice playing and writing notes, clapping rhythms, and eventually stringing together melodies. The more I practiced these things the more improvement I could hear. Read more
Learn Minor Piano Scales
February 15, 2010 by Ryan Edward · Leave a Comment
Note: Please pay close attention to this lesson as you will need to know minor scales when forming minor chords.
Minor Piano Scales:
2 Steps to Playing a Minor Scale:
1. Find the relative major key of the minor scale that you want to play. (Either refer to the chart above or find what scale has the keynote of the minor scale you want to play as it’s 6th tone … since the minor scale is also the Aeolian mode of a scale.)
2. Play the relative major key starting and ending on the sixth degree. (The 6th degree of the relative major key should be the keynote of the minor scale that you want to play. You can also verify the relative major key by counting 3 half steps to the right. If it takes more or less than 3 half steps to get to the relative major key, then the relative major key you have chosen is not correct.)
Natural Minor Scales
If you haven’t read our article on “Learning to Play Absolutely Any Song by Ear in Virtually Minutes,” then visit the link below …
http://www.learningtoplaypiano.net/learn-to-play-piano-by-ear/
Learn Piano Sharps & Flats
February 6, 2010 by Ryan Edward · Leave a Comment
Now that you’ve had some experience with the white keys of the piano, we will introduce the black keys…
If you’ve had any music experience or have been around musicians, you’ve definitely heard the words, “sharp” or “flat.” These terms are the names given to the black keys of the piano.
Actually, each black key has two different names. However, only one name can be used at a time. So then, the question is: “How do I know when to call a black key a sharp or a flat?”
The answer is very simple: Sharp is the name given to the black key directly to the right of a white key while Flat is the name given to the black key directly to the left of a white key.
Below is an example of “sharps” and “flats” …
Notice the black key directly to the right of C: It can either be labeled as C Sharp (because it is to the right of C) or D Flat (because it is to the left of D).
To recap, if you are referring to the note directly to the right of C, you would use C Sharp … but if you are referring to the note directly to the left of D, you would use D Flat. (Please keep in mind that C Sharp and D Flat share the same key and sound exactly the same.)
Using “#” and “b“
Sharps are notated with the symbol, #, while Flats are noted with the symbol, b.
Note that the sharp names for the three-grouped black keys above are: F#, G#, and A#. Why? Because one key is directly to the right of F, one is directly to the right of G and one is directly to the right of A. Contrary, the flat names for the three-grouped black keys are: Gb, Ab, and Bb. This is because Gb is directly to the left of G, Ab is directly to the left of A, and Bb is directly to the left of B.
Here is a chart to help you understand the flat / sharp relationship:
Written Piano Music And Rhythm
January 7, 2010 by Ryan Edward · Leave a Comment
Do you play piano? If so, do you know about rhythm? If you do, you know that you can improvise with rhythm as long as you are somewhat expert at playing the piano. It’s the same with singing. Singing, too, can be improvised simply by holding some notes out longer and making others shorter — and no one has to tell you how to do it. You just know how.
To learn a song you don’t know yet, it’s useful to use written music and play it as written first so that you understand the rhythm. If you’re playing in an ensemble or group and the group is playing from sheet music, you’ll do better if you play from sheet music as well because you will stay in time with them.
The first thing you learn about rhythm is the time signature. The time signature is directly to the right of the treble and bass clefs on a music staff. If the time signature changes while the piece is in progress, the composer puts a different time signature at that point where the rhythm is about to change. Read more
Tips For Reading Piano Music
January 1, 2010 by Ryan Edward · Leave a Comment
With just a little success behind you, you can tackle the task of learning to read music. Of course there are a number of successful musicians that aren’t able to read music. They can simply listen to a song and play it by ear. They are able to make improvisations on simple things to deliver elaborate variations of well known songs. These musicians seem to know their instruments just as well as a singer knows his or her own voice.
You might be the type of person that can do that. You will learn more a little later about chords and improvisation. However, if you are just learning about the piano, it’s very likely that you will get more help from written music. Further, when you learn how to read music you will open a new world for yourself. You will be able to play songs that you have never heard before. Not only will you be able to play this music, but you can repeat your performance anytime you want to because the sheet music guides you note for note.
There is a great deal to learn. You will have to find out how each note is depicted. You will have to know what the staffs are that the notes are written on and what they look like. You will have to learn how rhythm, sharps, and flats are represented. Once you learn these basics, you can start to build on the knowledge. Read more
Top 10 Christmas Gift Ideas For The Little Piano Lover on Your List
November 24, 2009 by Ryan Edward · Leave a Comment
Christmas is fast approaching and if you are anything like me, you are probably running around trying to figure out what to get your kids that is not only going to be fun… but educational as well!
So in the spirit of the season, we have decided to come up with a top 10 list of Christmas gift ideas for any little music or piano lover out there. These games are fun, educational and will help encourage the love of piano in your child.
So let’s get to it…
- Piano Wizard – An amazingly simple video game that can virtually teach anyone how to play REAL piano music in minutes.
- Fisher Price – I Can Play Piano System – Better than dull, expensive piano lessons, the I Can Play piano system by Fisher Price uses video game technology to teach kids the piano basics.
- Teaching Little Fingers to Play – A series for the early beginner combining rote and note approach. The melodies are written with careful thought and are kept as simple as possible, yet they are refreshingly delightful.
Read more
Piano Care
November 20, 2009 by Ryan Edward · Leave a Comment
* This is a guest post by Ashley Southam the Piano Guy! If you would like to submit a guest post for consideration of publication to our site, please contact us.
The first thing to do to look after you piano is make sure its stored in a suitable place. This means finding somewhere that isn’t too damp. Keep your piano away from heaters, air conditioners and fire places. Also try and keep your piano (if it’s an upright) away from an outside wall of the house.
Keep the piano out of long periods of direct sunlight too, as this can damage the finish and also affect the tuning. This all sounds very particular but anything to do with heat and moisture will put your piano at risk of going out of tune and have other long term negative side effects. Ideally you want the piano somewhere that the humidity and heat levels are at a nice constant level. The contracting and expanding of the wooden parts will affect the quality of the piano.
You should have your piano tuned twice a year. Also, it helps to get it “re-conditioned” or “regulated”. This is when a trained professional piano technician will fix and adjust any wear and breakage. It’s a very good idea to keep a piano properly maintained and your piano will love you for it. Read more








